It’s funny and sweet.  Without trying too hard.
— The Washington Post, of Everybody Knows This is Now Here: http://www.washingtonpost.com/entertainment/theater_dance/in-everybody-knows-a-dance-troupe-struggles-with-a-long-distance-relationship/2014/07/15/ac2ba034-0b76-11e4-8341-b8072b1e7348_story.html
The different portions of the performance – dance phrases, spoken word, film – are integrated in fluid motion, and the entire show feels relaxing and enjoyable. Both performers are engaging both in their duet work and alone.
— DC Theatre Scene, of Everybody Knows This Is Now Here, a full-length duet in collaboration with Eliza Larson/Mountain Empire Performance Collective. http://dctheatrescene.com/2014/07/12/everybody-knows-now/

Seattle Dances, of Saturn Return,  a new solo project: http://seattledances.blogspot.com/2012/08/it-must-have-been-violet-shows-clarity.html

"Grant gave an assured and endearing performance, carried largely by her full commitment to facial expressions, which provided an added charm."


Seattle Dances, of Sanctuary, a collaboration with Annie McGhee: http://seattledances.blogspot.com/2012/05/full-tilt-presents-six-exciting.html

"There was never an explanation of why six birds were dancing so well together, but it was not needed. One only needed to sit back and enjoy the laughter."

"...producers should keep a look out for choreographers like Grant and McGhee who aren't afraid to part from the path and shake a couple tail feathers."


Seattle Times, of Jurg Koch's Meanwhile: in Seattle: 

http://seattletimes.com/html/thearts/2015326029_beyond16.html

"...'meanwhile' had its highlights, especially in a fluid, athletic duet between Roxanne Foster and Rachel Grant."